![]() ![]() We’re going back and expanding our earlier releases with free Advanced updates adding new profile-based looks – next up will be the Pro 400 pack (we’re currently shooting test rolls), followed by Portra 400. This method is powerful but less flexible, so we also create ‘classic’ adjustment-based styles too, giving you the best of both worlds. Capture One Styles and Presets are easy ways to give your images the look you want or get to a good starting point for your editing with just one click. Exposure tab > High Dynamic Range Tool > Click the magic wand icon. Exposure tab > Exposure Tool > Click the magic wand icon. Learn more and download your software here. Colour tab > Select Curve (this is where Capture One Pro keeps the Fujifilm simulations I typically use Provia as a starting point, but often switch to Velvia or Classic Chrome if I want more or less saturated images). Plus, edit photos already shot with Fujifilm Film Simulations or applu them directly in Capture One. Our latest Advanced series styles use custom ICC colour profiles based on our test scans shooting the real film, to get the most accurate colours possible. Download Capture One Express Fujifilm and enhance your shots with auto adjustments, simple editing options, and instant looks. ![]() However, we don’t go barging in messing up all your settings – our styles avoid adjusting the main sliders as much as possible. Our current lineup goes deep, leveraging Capture One’s most advanced features to simulate the look of scanned film realistically. Lightroom has some advantages for developers, for sure, with its robust Creative Presets system, but Capture One dominates when it comes to deep control, image quality and realistic film grain. ![]() We started with Capture One and it continues to be our raw editor of choice for professional photography work. See our video tutorial on this topic here new for Capture One 23. Expensive packages that released without even supporting basic layer compatibility. However if you shoot Fujifilm, I would suggest Capture One. The result? Inconsistent, messy styles, which pulling kinds of crazy slider tricks making it hard to adjust further. In the grand scheme of paid Productions Adobes photo suite, which cost about £10 a month, is a great bargain, I believe. But in the last year or two, a lot of preset companies have realised it’s an expanding market and rushed to get their products ported over to it. Capture One users have never had the same rich third-party ecosystem as Lightroom, sadly. ![]()
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